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Audiokodierung und -Kompression
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Tags added to the series of this content:WWW (2);
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Links added to the series of this content:Internet- und WWW-Technologien (SS 2012)
Meinel, Sack: Digitale Kommunikation (Buch)
Link zum Buch
Meinel, Sack: Internetworking - Technische Grundlagen und Anwendungen (Buch)
Link zum Buch
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Lecture Structure
- ljlasso (00:00:01)
- Internet uncl WWW Technologien (00:00:07)
- Einordnung in die Vorlesung (00:00:45)
- Was ist Schall? (00:00:49)
- Was ist Schall (00:03:33)
- Digitalisierung akustischer Signale ( (00:07:13)
- Digitalisierung akustischer Signaie (2 2) (00:08:26)
- Sampling 3 uncl Quantisierung (1 6) (00:08:30)
- Sampling uncl Quantisierung (00:09:44)
- Sampling uncl Quantisierung (3 6) (00:10:35)
- Sampling g uncl Quantisierung (4 6) (00:13:02)
- Sampling uncl Quantisierung (5 6) (00:13:26)
- Sampling uncl Quantisierung (6 6) (00:14:27)
- Abtasttheorem (00:17:03)
- Abtastpunkte innerhalb einer Schwingungsperiode benötigt (00:17:03)
- Um Schwingungen rekonstruieren zu können werden zwei (00:17:03)
- Frequenz fa (Nyquist Critical Frequency) ab der höhere (00:17:03)
- Für jede Samplingintervall Größe At gibt es eine kritische (00:17:03)
- Abtasttheorem nach Shannon Raabe Nyquist Kotelnikow (00:17:03)
- AbtaStth6Ol elTl (00:20:21)
- Abt Stt leOl e Tl (00:20:37)
- AbtaSttheOl e Tl (00:22:07)
- AbtaSttheOl elTl (00:23:45)
- Nyquist Frequenz (f ) durch einen Tiefpaßfilter entfernt werden da (00:23:45)
- Sam plingrate (00:25:11)
- Sam plingtiefe (00:25:45)
- Digitalisierung (00:28:21)
- PCM PU SeCOC e Modulation Digitalisierung eines analogen Audiosignals (00:28:23)
- PCM Pl I SeCOC E V Odl I ti0 (00:29:00)
- PCM Pl I SeCOC e V OC l I tiO (00:30:54)
- PCM Pl I SeCOC e Modulation (00:32:19)
- PCM Pl I SeCOC G Modulation (00:33:38)
- PCM Pl I SeCOC e MOC l I atiO (00:36:47)
- PCM Pl I SeCOC e V OC U atiOl (00:38:44)
- PCM Pl I SeCOC e V OdU tiOl (00:39:11)
- IVIIDI Musical Instrument Digital Interface (J (00:41:53)
- MIDI Musical Instrument Digital Interface (2 2) (00:42:10)
- Psychoakustik und menschliche Wahrnehmung ( (00:44:07)
- Verlustfreie Komprimierung erlaubt exakte Rekonstruktion des (00:44:07)
- Mit Huffman Kodierung wird verlustfreie Audiokomprimierung im (00:44:07)
- 1L s W@ (00:44:54)
- Menschliches Hörfeld ca 20 20 000 Hz bei 0dB 12OdB (00:44:54)
- Psychoakustik und menschliche Wahrnehmung (4 7) (00:52:22)
- gf hrgenommen (vgl Hörfeld) (00:52:22)
- untl schiedliche Frequenzbereiche werden als unterschiedlich (00:52:22)
- Außenohr Ohrmuschel Gehörgang Trommelfell (00:52:22)
- Psychoakustik uncl menschliche Wahrnehmung ( (00:54:37)
- Psychoakustik und menschliche Wahrnehmung (6 7) (00:55:40)
- Psychoakustik und menschliche Wahrnehmung ( (00:56:14)
- MP3 Aucliokomprimierung (00:59:42)
- MP3 Audiokomprimierung (2 12) (01:00:52)
- MP3 Aucliokomprimierung (3 12) (01:01:15)
- MP3 Aucliokomprimierung (4 12) (01:02:22)
- MP3 Aucliokomprimierung (5 12) (01:02:34)
- MP3 Aucliokomprimierung (Ö 12) (01:04:09)
- MP3 Aucliokomprimierung (7 12) (01:05:33)
- 9 MUSICAM (Masking pattern adapted universal Subband (01:05:33)
- Schematischer Ablauf der Kodierung (3 5) (01:05:33)
- MP3 Audiokomprimierung (8 12) (01:07:08)
- MP3 Audiokomprimierung (9 12) (01:07:57)
- MP3 Aucliokomprimierung 10 12) (01:09:31)
- MP3 Aucliokomprimierung 11 12) (01:10:09)
- MP3 Aucliokomprimierung 12 12) (01:12:55)
- Weitere verlustbehaftete ALIdiOC tel lfOl lT1 tE (01:13:57)
- ljlg sso Plattner (01:15:10)
Keyword
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